Table Of Content
A confluence of natural materials and sleek modern features, the house wraps around a mammoth Eucalyptus tree that cuts through the center of the space. The Midcentury gem was built in 1961 by Lautner, a prolific architect whose bold, dramatic creations regularly star in the silver screen. His myriad works include the legendary Bob Hope house in Palm Springs and the Silvertop estate in Silver Lake. His personal residence traded hands two years ago for $1.67 million, or $80,000 over the asking price. It’s unclear whether the events are actually happening or whether they’re just imagined by Maria.
The Wolf House Explained: A Hallucinatory Dive into Chile’s Dark Past
Bendita Film Sales Boards Cannes Directors’ Fortnight Title ‘The Hyperboreans’ From ‘Wolf House’ Helmers Cristóbal León, Joaquín Cociña (EXCLUSIVE) - Variety
Bendita Film Sales Boards Cannes Directors’ Fortnight Title ‘The Hyperboreans’ From ‘Wolf House’ Helmers Cristóbal León, Joaquín Cociña (EXCLUSIVE).
Posted: Wed, 24 Apr 2024 12:40:00 GMT [source]
It might be hyperbolic or unhelpful to label Cristóbal León and Joaquín Cociña’s “The Wolf House” as the darkest animated movie ever made, but merely describing this stop-motion nightmare should be enough to explain the impulse. The Blumhouse and Universal reboot of the classic monster follows a family that is being terrorized by a lethal predator. As previously announced Leigh Whannell directs and co-wrot the script with Corbett Tuck, Lauren Shuker Blum and Rebecca Angelo.
Real Estate
Much like Paul Schäfer and the rest of the Nazis at the Colonia, Maria’s pursuit of purit was constantly at threat from her own guilt, and everything fell apart due to it at the end. Jack London State Historic Park houses the London’s collection in the Happy Halls House, which wife Charmian built after Jack’s death. Most of the furniture was custom built for use in the ill-fated Wolf House, and a corner of the house is set up to preserve Jack’s writing studio as it would have looked when he died. In this house the music of the time is played on the London’s piano by a talented volunteer and the walls are decorated with curiosities from around the world. As short walk from this house is the “Country Cottage” where they lived until Jack’s death and, if you are lucky, a docent will show you around the amazing gourmet kitchen.
‘The Wolf House’ Review: A Chilean Nazi Cult Inspires One of the Darkest Animated Movies Ever
Multicolored tents, protest art, and an enormous display of hand-painted canvas banners express CUNY student and faculty support for Palestine. The Louvre Museum is considering installing the artwork in a separate underground room to improve the painting’s “disappointing” viewing experience. Sign up for our free newsletters to get the latest art news, reviews, and opinions from Hyperallergic.
With no living soul on her side other than two of the pigs whose escape she facilitated, the lonesome Maria soon realizes her sentient shelter responds to her fears, desires and thoughts, modifying itself accordingly every waking second. There also seems to be a wolf somewhere out there, spying on Maria in an utterly Big Brother-esque fashion. The directors have stated that they based The Colony in The Wolf House on Colonia Dignidad (“Dignity” — a word that Maria repeats when she discusses raising her pig-children), a cult established in 1961 in Chile by ex-Nazi pedophile Paul Schäfer. One of many Nazis who fled to Chile after the war, Schäfer was able to continue committing atrocities in the remote area while harboring other SS monsters like Joseph Mengele. While people did eventually escape the camp and report what happened there, the colony continued on thanks to its collaboration with the Pinochet regime, for which it served as a concentration camp for political dissidents. That’s because the breathtaking yet abstract artistry of “The Wolf House” feels so strikingly unique.
It doesn’t take much research to figure out that the predatory wolf was inspired by Paul Schäfer, a German fugitive accused of child molestation, who fled to Chile where he founded Colonia Dignidad (“Dignity Colony”) in 1961. Former Nazis such as concentration camp doctor Joseph Mengele were among the colony members, whom Schäfer instructed to torture and murder dissidents during Pinochet’s military dictatorship, while enabling child sexual abuse to run rampant. Stop-motion is an incredibly time-intensive process, and León and Cociña took it several steps further than most animators. It was not shot with miniatures and dolls, but life-sized figures on full sets. (They frequently set up in various galleries and museum spaces, where patrons were able to watch them at work.) This enabled them to adhere to a unique style, wherein the camera is constantly moving and the film appears to unfold in a single shot.
CineMÁS: 'The Wolf House' ('La Casa Lobo') - University of Arizona News
CineMÁS: 'The Wolf House' ('La Casa Lobo').
Posted: Sat, 04 Nov 2023 07:00:00 GMT [source]
She flees through the woods and finds a house where the entirety of the stop-motion takes place. The lack of conventional edits makes us feel all the more entrapped, as new sequences begin only when we enter a new room or the frame of a portrait. When Maria first enters the house, we seem to be viewing the space from her perspective—that is, until she materializes in painted form on the wall before coming to life as a puppet comprised of paper, cardboard and masking tape. Like in a dream, the universe of the house reacts to Maria's feelings and shapes itself into her ideal home. Although the wolf's presence outside makes it impossible for any of them to leave, the group lives happily for a short time. María ignores the wolf's repeated attempts to tempt her back to the Colony and denies its description of the house as a new kind of cage.
“The joke right now is that the federal government should have said, ‘This new tax credit is only available for companies with names rhyming with Rhonda,’” Kyriazis quipped. While the moves may help mollify activists angry over the administration’s earlier decision to authorize the Willow Project in the state, it also faces critical opposition from key people in Alaska. “While many of the animal abuse provisions do not apply to the hunting, capture, killing, or destruction of a predatory animal, there are narrow circumstances where a person could be charged and convicted of animal abuse” Melinkovich said. The “predator zone” classifies wolves as a predatory animal which means that little regulation exists — including no required license — to protect predatory animals in the area. News of the wolf’s alleged torture sparked world-wide outrage and condemnation from individuals and groups. The Sublette County Sheriff’s Office will continue its investigation of a wolf incident but Sublette County Attorney Clayton Melinkovich in a statement has responded to messages received from the public.
Even Maria herself is altered and cracked open a number of times, as her image sways between a tree and a chirpy yellow bird. These crimes remain offscreen in “The Wolf House,” and are hinted at solely through the fantastical symbolism of the faerie tale spun for us by the wolf, as if coaxing Little Red Riding Hood to take up residence in his stomach. Our tale officially begins with Maria (Amalia Kassai), a young member of the Colony, breaking free from her captivity after being punished for letting three pigs escape.
As Chile descended into fascism under Augusto Pinochet’s rule in the 70s, things at the Colonia became darker and more violent. Rather than just being a cult in the woods, it was transformed into an internment camp for political dissidents. And, as Pincohet’s dictatorship proved, pretty much anyone could be labeled as a dissident and thrown into Colonia Dignidad’s underground prisons for torture. In other words, we don’t fault you if you feel a bit lost after watching The Wolf House. With the confusing nature of the movie in mind, let’s take a look at what you need to know to really understand the Chilean stop-motion film.
It has a loose fairy-tale narrative with sparse dialogue and only a few characters, but it’s also rife with symbolism and historical allegory. If the above description of solitary confinement seems spine-tingling or too close to the bone during the days of the Covid-19 isolation, wait for what else León and Cociña have in store. In a permanent loop of hallucinatory action aided by eerie sounds and musical cues, the duo recurrently establishes their own aesthetic reality, only to abandon and redefine it seconds later with jaw-dropping inventiveness. As both handmade puppet-like figures and animated drawings, pigs materialize from the floorboards of Maria’s house, but turn into a pair of kids with animal limbs later. The shifting interior of the building takes shape before our eyes, only to mutate every time we look at it.
Perhaps comparing it to a David Lynch film can come close to characterizing the experience. And one’s viewing of it might greatly benefit from some Wikipedia-level familiarity with the history of Colonia Dignidad (the Dignity Colony), a remote, Chile-based Nazi sect founded after the World War II, which loosely lends the film its basic narrative. While it was supposedly formed to represent a simple agricultural lifestyle, the cult was known for its torture practices and murders, especially during the Pinochet regime, as well as its longtime leader Paul Schäfer, a convicted pedophile and notorious criminal.
Joaquín Cociña and Cristóbal León introduce their 2018 stop-motion masterpiece The Wolf House (La Casa Lobo) as a piece of rediscovered archival media. Using a faux-documentary framing, they claim that the film is a cheerful curiosity produced by members of “The Colony,” an intentional community of hard-working German families living in Chile who produce delicious honey. They want to showcase the found media to dispel rumors that have circulated about the group, but as we soon see, it’s really propaganda to discourage people from ever fleeing. And even scarier is what the tale exposes about the setbacks and horrors of a totalitarian regime; something you’d wish felt considerably less relevant today. “We’re highly attentive to the international oil markets and domestic gas prices.
Jack London, well know as the author of Call of the Wild and lesser known as a booze hound and ladies man, died in the small town of Glen Ellen, 60 miles north of his hometown San Francisco, three years after his dream house, known as the Wolf House, caught fire and burnt down. A Midwestern boy at heart, he was raised in St. Louis and studied journalism at the University of Missouri. Before joining The Times as an intern in 2017, he wrote for the Columbia Missourian and Politico Europe. Four bedrooms and 3.5 bathrooms complete the main house, and a guesthouse commissioned in 1970 adds three bedrooms and two bathrooms. The primary suite expands to a private terrace, and the lower level opens outside, where a cantilevered swimming pool is perched at the edge of the property. The Wolff House is one of Lautner’s best, as the striking Modernist marvel hovers above the city on an ultra-steep lot in Hollywood Hills.
This means that the answer to the question of whether The Wolf House is based on a true story is yes. Although the majority of the plot is fictional, the context of the Colonia Dignidad is very real. The history of this area of Chile being used first as a Nazi refuge and later as a torture camp hangs heavy over The Wolf House and serves as an important piece of the movie’s puzzle.
The effect is that of a nightmare that Maria — and the viewer — cannot escape. The characters and many of the props are constructed out of papier-mâché, an unusual animation medium that proves fitting to depict the fragility and malleability of a dreamlike world. The action freely flows between 2D and 3D, the characters alternately depicted as paintings on walls, live figures in the space, or in some unsettling in-between state. The Wolf House looks like no other film, which makes its horrific imagery all the more difficult to shake from your head. While they are not overtly explained, these roots are briefly teased in “The Wolf House,” which is inspired by a real-life case from the Colony and cleverly masked as a propaganda picture, narrated by a Schäfer surrogate. And so we embark on Maria’s psychedelic misadventures when she flees the pressures of her clan and finds refuge in a remote home.
No comments:
Post a Comment